Feud: Capote Vs. The Swans Fashion Features Vintage Givenchy & Custom Zac Posen

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in Ryan Murphy’s second installment. feud anthology, Breakfast at Tiffany’s Writer Truman Capote (Tom Hollander) is the main character of New York City’s Oatmond, Babe Paley (Naomi Watts), Slim Keith (Diane Lane), CZ Guest (Chloë Sevigny), and Lee Radziwill. (Calista Flockhart), aka The Swans. But while some viewers will focus on the dramatic events that led to Capote’s expulsion from society, others will focus on the incident. Capote vs. Swans fashion — Designed by Murphy’s go-to fashion collaborator and producer Lou Eyrich With her co-costume designer Leah Katznelson, based in New York City. Rudy Mance — from the 1950s to the 1980s.

“Ryan has always been into The Swans, so I’ve been researching The Swans for a long time,” Eyrich says. “We always use The Swans as a reference. [for the other shows], but this time they dug deeper. ”

The challenge was to portray each character’s unique style while complementing each other in group scenes. For example, her foursome scene at CZ’s black-tie Thanksgiving soiree, where they wander down the stairs in slow motion like a group of gorgeous girls. Or you can have lunch at the local restaurant, La Côte Basque (which also gave the title of the scandalous 1975 film) off Fifth Avenue. esquire Excerpt from Capote’s book, answered prayerswhich featured a thinly veiled characterization of the swan).

FX’s FEUD: Capote vs. Swans The Pilot premieres Wednesday, January 31st at 10pm ET/PT — Pictured: (from left) Naomi as Barbara “Babe” Paley Watts, Tom Hollander as Truman Capote. CR:FX

To create the look, Eirich and her team sourced as much designer vintage as possible, scouring Instagram and TikTok, tapping into a growing list of dealers and collectors. “[Sourcing] It was a full-time job,” Eirich says. They are also a reenactment of episode 3. Capote’s legendary 1966 black and white ball — We brought in red carpet designer Zac Posen. “I’m a big Hollywood guy,” Posen says. “I was living the best Hollywood life. [costume designer] Fantasy by Adrian, Edith Head, and Irene Sharaf. ”

Before that, Eirich talks about the swans’ respective wardrobes, and Posen reveals the inspiration behind the gorgeous masquerade dresses.

Capote vs. Swans Fashion: Babe Paley’s Queen Bee Elegance

Feud: Capote vs. Swans — Pictured: (center) Naomi Watts as Babe Paley. CR:FX

Before marrying CBS manager Bill Paley (Treat Williams), a chronic womanizer, in 1947, Babe Cushing worked as a television station employee. trend Editor. Thanks to her sophisticated fashion sense, she was named to the International Best Dressed List in 1958, and dazzling jewelry by Fulco di Verdura and Jean Schlumberger (portrayed in the film as a sinful gift from Bill). She is famous for wearing haute couture designs from her house such as Balenciaga and Balenciaga. Valentino and Givenchy.

“She didn’t need a lot of fluff. She would have earrings, maybe a brooch, an Hermès scarf. Everything was very simple, but very chic and sophisticated…gloves, Everything always matched, the wallet, the shoes,” Eyrich said, referring to society photos and books such as: Swan: Legend of the Jet Association Before creating a palette of cream, caramel, camel, rose pink, and pastel blue for Watts, he wrote the memoirs of Nicholas Foulkes and Bill Paley. Watts’ meticulously put together wardrobe was meant to also serve as armor and appearance as the character’s personal life deteriorated.

In the premiere’s standout fashion moment, Watts attends a runway show and fitting at the Givenchy Atelier in Paris. Eilich searched extensively (including in the Parisian house’s archives) until she found Hubert de Givenchy’s boat-neck, cap-sleeved black dress that displayed Hubert de Givenchy’s trademark hornet-waisted silhouette in a collector’s collection. I did. ”

Capote vs. Swans Fashion: CZ Guest’s sophisticated country house aesthetic

Feud: Capote vs. Swans — Photo: Chloë Sevigny as CZ guest. CR: Paris Dukovich/FX

In contrast to the cosmopolitan elegance of Watts’ character, Eyrich outfits Sevigny in houndstooth blazers, crisp button-ups, and fine knit turtlenecks, and keeps him well-kept in his expansive garden and Connecticut mansion. The scene featured a socialite grooming a washed-up horse. “We made her more practical, but she always had pearls,” says Eirich. To portray Salvador Dali’s muse, Eirich used vintage pieces from European brands such as Lanvin, Pierre Cardin, and Celine, as well as many American designers such as Geoffrey Beene, Bill Blass, and Ralph Lauren. I appointed it.

Sevigny appears at his strongest in episode two. The swans wear beachside hues while attending the annual ultra-stylish Guest Thanksgiving in Palm Beach. Watts wears a vintage cream jumpsuit with a gold belt, while Lane wears a raspberry metallic silk dress. “We tried to use fruit colors like tangerines, but since we were in the Sunshine State, we tried to add more softness,” says Eirich. “Then they’re starting to shut Capote out, so it feels a little cold.” Eirich references guests’ couture dresses in the Metropolitan Museum of Art’s archives and photos from the ’60s and ’70s to create a custom Sevigny. She wore the designer’s lilac kaftan ensemble with fluted sleeves and rippling ruffles towards the hem. She is her home. I chose a kaftan because it’s basically a hostess dress, so to speak. [designed into] More sophisticated and upscale evening wear. ”

Capote vs. Swans Fashion: Slim Keith’s statement separates

FFX’s FEUD: Capote vs. Swans “Pilot” premieres Wednesday, January 31st at 10pm ET/PT — Pictured: Diane Lane as Slim Keith. CR:FX

“Slim was trickier,” Eyrich says. The California-born model’s tailored, slightly sporty fashion aesthetic was well documented in the ’50s and ’60s, thanks to her work with high society photographer Slim Aarons, but in the ’70s records about Slim became sparse. This proved to be a challenge for Eirich, especially for the private moments in her home depicted in the series.

“Diane Lane loves being involved in the costume process and we talked a lot about that,” says Eirich, who landed on a wardrobe built around tailored, flowy pants. “We took a little bit of inspiration from menswear and made it more feminine,” Eyrich says, citing a photo of Slim wearing a long wrap-front. gown. “Rather than she wasn’t wearing soft silky dresses, she was wearing more structured, belted, chic dresses, and she wore boots rather than heels.”

Eirich and her team custom-made much of Lane’s closet, including jewel-colored collared or bowed blouses, high-waisted pants, and one dramatic wool cape for a trip to Connecticut. Eirich also incorporated Slim’s favorite brands such as Gucci, Lanvin and Dior, as well as homegrown designers Geoffrey Beene and Bill Blass.

Capote vs. Swans Fashion: Lee Radziwill’s forward-thinking style

Feud: Capote vs. Swan — Pictured: Calista Flockhart as Lee Radziwill. CR: Paris Dukovich/FX

Thanks to her marriage to Prince Stanisław Albrecht of Poland, a true Ms. Lee of Old World European aristocracy, Her Royal Highness Princess Caroline Lee Radziwill was a fashion pioneer. “She was the one who had her picture taken the most, so she was always conscious of how she looked,” says Eirich.After the events depicted in the show, Lee continuation He forged relationships with influential designers, served as a brand ambassador for Giorgio Armani, and became friends with the up-and-comers at Louis Vuitton at the time. scary kids Marc Jacobs, creative director of the 90s.

At the show, the Brahmin debutante-turned-socialite from Boston wore bolder statement pieces than other Swans, including a leopard-print coat and billowing pinstriped galanos dress and vest. There is. “for [Flockhart], we really focused on contemporary designers of that era,” says Eirich, counting names like Adolfo, Hermès, Halston and Guy Laroche. Flockhart’s edgier style progression represents Lee’s forward-thinking, who was more ready for the relaxation of ’80s fashion and social standards. “She had no problem wearing jeans on the street,” Eyrich says, referring to a photo of Lee from the late ’70s. “We will never enter [Watts], [Sevigny] or [Lane] In jeans. ”

Capote vs. Swans Fashion: black and white ball

Feud: Capote vs. Swans — Photo: Black and White Ball. CR:FX

He was responsible for costume design for the show-stopping ensemble in the episode depicting the famous black-and-white ball, which was inspired by the 1964 Ascot race scene. beloved woman and urged women to wear black or white looks — Zac Posen studied everything from the old WWD and trend Dusty CBS video footage clippings and decades worth of fashion sketches. “It’s like one of those crime shows,” Posen jokes. But rather than recreating each look exactly, the designers leaned into Murphy’s soaring vision. “Ryan says, ‘I want it.'” a lot says Posen, who coined the new term “Ryan Murphy greatness.”

Posen also wanted to convey the competition between Truman and the Swans for the spotlight of high society. new york times explained As “the best spectator sport”. So he cleverly incorporated hints of the swan into each of his elaborate ensembles.

For Watts, the designer combined Da Vinci’s majestic bird paintings and Art Deco illustrator Erté’s black-and-white illustrations to evoke the Queen Swan. He also replicated elements of Babe’s real-life appearance to symbolize her growing dissatisfaction with Capote. [ivory Zibeline] The lining of the dress was deep red. ”

Although there were no photos of Slim for reference, Posen, who made a cameo as Lane’s fedora-wearing pedestrian at the gala, took full creative license with the character’s appearance. “[It] It was Blanche Carte. It’s completely fabricated,” Posen declares. “What would she do? There are so many great photos [Slim] In pants. She traveled all over the world. She designed tuxedo jumpsuits there. ” The black and white blocking of her opera cape was a nod to the look worn by Bill and Babe’s daughter, Amanda Burden. starburst stripe panel gown from beloved woman, designed by Cecil Beaton. “I wanted this graphic color,” Posen says. “The cape is made of air-filled silk taffeta. It’s more modest, loose, vulgar and too cool for school – and it’s… Diane Lane

Posen stayed true to reality with Radziwill’s look, which included a modern metallic sequin and bead embellishment set by Italian designer Mila Schön. “She’s a beacon of her time,” he says. “She is the swan of the future.” Evoking “movie magic” through Flockhart’s carved robes, Posen also “decoupageed” gold, silver and ivory embellishments, including mesh sequins and horsehair. I made it up. “I was finding this weird plastic metal trim and layering and braiding it,” he continues. “It looks incredibly rich and decadent.”

Finally, to interpret a CZ dress designed by her favorite American couturier, Meinbocher, Posen reimagined mid-century “classic” style with “a little bit of Charles James in it.” To enhance CZ’s commitment to equestrianism, Posen decorated the back of Sevigny’s gown with two of his florets, resembling “horse prizes.” He also draped the hem of her strapless gown to resemble a swan’s neck. “It’s supposed to look evil,” Posen says. “Gorgeous and delicious looking evil waterfowl, every single one of them.”

of real housewife new york This wild swan has nothing on it.

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